Eliza review – an ambitious, unsettling play about the birth of AI
ArtsHistory
THE AI ANGLE
Mimicking conversation and provoking human projectionThe Melbourne Theatre Company staged Tom Holloway's play Eliza, depicting Joseph Weizenbaum creating an early chatbot at MIT in 1966. The production frames this history as surreal horror rather than standard biography. It shows arts and history scholars how theatrical allegory can represent early human interactions with computing.
THE TEACHING ANGLE
Discuss whether surreal stage choices illuminate historical computing debates or detach audiences from the people involved.Read the original at theguardian.com Generate teaching or study materials
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